An Oklahoman now based in New York, Andoe works with pared-down, deceptively biddable images: boxy 1960s automobiles, beer cans, two-lane blacktops and lickerish young women. His technique of applying paint and then wiping it away blurs the contours of his figures. Glimpsed quickly, the soft monochrome lines of his canvases suggest cosy snapshots from the late 1960s or early 1970s. But Andoe sidesteps reassuring nostalgia by using these symbols to show an underlying provinciality.