REFLECTIONS: Matt Black X Gana Art
Ry David Bradley
November 1, 2019 - January 5, 2020
Opening Reception at GANA ART CENTER Friday November 1st at 5PM
Gana Art is pleased to present ≪Reflections≫, representing the contemporary art scene with 34 artists, in collaboration with filmmaker and curator, Matt Black, this exhibition is centered around his film titled “Reflections.” Following the film’s theme, Gana Art has curated this exhibition to feature works by worldly renowned artists not only from the international realm, but also from Korea, highlighting the whole art scene.
Mousse Magazine: Ry David Bradley “Overworld” at COMA Gallery, Rushcutters Bay
2019
Ry David Bradley “Overworld” at COMA Gallery, Rushcutters Bay
An Overworld is an area within a video game that interconnects all its levels or locations. Typically it presents an aerial perspective, a global map of the stages that have been completed or are yet to be, allowing one to see what may lay ahead without revealing what that is. Access is granted by completing tasks, or entering secret passwords. In presenting an exhibition installation that mirrors the aerial stage, where some positions have been unlocked, and others are yet to be known—Ry David Bradley continues an exploration of access and restriction within specific worlds, each an enquiry for where painting was, may now be and is yet to be.
LETMEIN: Ry David Bradley
SEPTEMBER 29, 2018
HERNING MUSEUM OF CONTEMPORARY ART
SEP 29 2018 - MAR 3 2019
CHIEF CURATOR MICHAEL BANK-CHRISTOFFERSEN
Ry David Bradley: Meet the artists using tech to preserve our history
Im/material: Painting in the Digital Age brings together artists who combine the digital with the physical to create truly immersive work
SEPTEMBER 29, 2017
Two of his pieces, which were taken from footage on climate change, will be shown in Im/material: Painting in the Digital Age, an exhibition at the Sophia Contemporary Gallery in London’s Mayfair. Ry Bradley’s work attempts to capture augmented reality in a physical form using a Japanese-made polyester mesh that is so tightly woven it’s almost invisible. “This is the closest I’ve got to finding a true analogue for augmented reality,” he says. “I wanted it to feel ethereal, super lightweight – like it’s there but not truly. I’m trying to pre-empt this AR layer that I know is coming."